reface

reface CS

reface CS

  • -Sintetizador Virtual Analógico, 8 voces de polifonía
  • -5 tipos de oscilador
  • -Control
hands-on

reface CS por encima

reface CS overview

primer contacto

Formas de onda

Multi-saw

Pulse

OSC Sync

Ring Mod

FM

Multi-saw

La forma de onda de multi-sierra produce el típico sonido de sintetizador basado en ondas de dientes de sierra.
El término “multi” indica que hay posibilidad de superponer múltiples formas de onda.

TEXTURE :

Controla y añade un sub-oscilador.

MOD :

Añade múltiples ondas de diente de sierra.

Pulse

Genera una voz de sintetizador básico usando formas de onda cuadradas. Dos ondas cuadradas con tonos diferentes pueden combinarse para crear sonidos más complejos.

TEXTURE :

Cambia el tono de la segunda onda cuadrada.

MOD :

Cambia el ancho del pulso.

OSC Sync

Genera voces partiendo de dos osciladores (OSC1 y OSC2), con el OSC2 sincronizado con el OSC1. Se pueden generar armónicos intensos cambiando el pitch y el color del OSC2, creando sonidos peculiares y deslumbrantes.

TEXTURE :

Cambia el tono y el timbre del OSC2.

MOD :

Ajusta la cantidad de cambio de tono.

Ring Mod

Genera voces multiplicando las señales de los dos osciladores (OSC1 y OSC2). Se obtienen sonidos metálicos que pueden variar cambiando el tono de los osciladores.

TEXTURE :

Cambia el tono del OSC1.

MOD :

Cambia el tono del OSC2.

FM

Produce voces con dos osciladores (OSC1 y OSC2), con la frecuencia del OSC1 modulada por el OSC2. Esto hace posible crear sonidos con armónicos intensos como en la serie DX de los sintetizadores FM de Yamaha.

TEXTURE :

Ajusta la cantidad de modulación.

MOD :

Cambia el tono del Modulador.

Controls

LFO

EG

FILTER

EFFECT

PORTAMENT

LFO

The [DEPTH] and [SPEED] sliders control modulation speed and intensity. In addition to typical LFO uses, you can create interesting sound effects using extreme settings. So if you want get back at your motorcycle-driving neighbors, try out the following example! (Some amplification may be required!)

EG

EG/FEG slider determines how much the Envelope affects Amplitude or Filter. The"zero" position (AEG) means the Envelope only affects Amplitude. Asthe slider is moved upwards, the more influence the Envelope has on the Filter. In the middle position the effect on Filter and Amplitude is the same.

The envelope (EG) is set by the ADSR principle (Attack, Decay, Sustain, Release) with four sliders. Again, the range of values is from 0 to 127.

FILTER

reface CS is equipped with a resonant low-pass Filter (18 db). The Cutoff slider adjusts the Filter from follow closed (0) to wide open (127) while the Resonance slider adds harmonics at the Cutoff point. The filter can even self-oscillate creating different kinds of synth sound.

EFFECT

The onboard effects processor features five effect types to add depth to your sound.
Use the Type slider to select the desired effect. Depth determines the effect's intensity (also known as "Wet/Dry"). The Phaser and Chorus/Flanger are powered by Virtual Circuitry Modeling (VCM) technology.

PORTAMENT

The reface CS Portamento slider has two functions. It controls the typical Portamento effect: switching reface to 8-note polyphonic to 1-note monophonic and controlling Portamento time in monophonic mode.

Looper

Integrated MIDI Phrase Looper: capture song ideas or just jam

The integrated Looper lets you capture your performance and play it back. This is useful in a number of ways. First, you can use it to jam over top of a bass line or other ostinato part. Second, it's a great way to dial in a sound by tweaking the panel while the Looper plays for you.

Experience more

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